Reviewed By: Flickman
I went into Redux Redux knowing almost nothing about it. I watched maybe twenty seconds of the trailer, saw the Saban Films logo pop up, and decided that was enough for me. From that brief glimpse, it looked interesting, and I didn’t feel the need to watch the entire trailer. More often than not, trailers give away the best moments, and I didn’t want anything spoiled. On top of that, Saban Films has a pretty solid track record. Their movies aren’t usually big-budget spectacles, but about eighty percent of the time they’re at least worth checking out and often better than what you’d expect from smaller production companies.
After watching Redux Redux, I can honestly say I really enjoyed it. From the opening scene all the way to the end credits, the pacing never lets up. There were no moments where the film dragged or felt boring, and I appreciated how quickly it gets to the point without wasting time.
I’ll admit I was a little skeptical at first because this is a multiverse movie, and I’m starting to feel some fatigue with that concept. Marvel, in particular, has leaned heavily into it lately, and it’s beginning to feel overused. Multiverse stories can also be confusing and hard to follow, but Redux Redux avoids those pitfalls. It keeps things simple and grounded, relying more on storytelling than flashy special effects.
The premise is straightforward. Irene Kelly, played by Michaela McManus, travels from one parallel universe to another, repeatedly killing the man who murdered her daughter. During one of these trips, she saves a young girl named Mia (Stella Marcus) from being killed by the same man. Irene tries to convince Mia that revenge isn’t the answer, but Mia is determined to tag along and seek revenge of her own.
I won’t go into any more detail to avoid spoilers, but this is a very well-made film. It’s easily one of the better multiverse stories I’ve seen, mainly because it never overdoes the concept. The acting across the board is excellent, with performances that feel natural and believable. I didn’t recognize many of the cast members, and honestly, I think that worked in the film’s favor. Sometimes not having big-name stars helps the story feel more authentic.
If I had one complaint, it’s a small one. The film never really explains where the machine Irene uses to jump between parallel universes comes from. Did she invent it? Did she steal it? That detail is never addressed. While it didn’t ruin the experience for me, it’s something I think could have been explored a bit more. Realistically, that would probably be the first question anyone would ask.
One thing I really liked about Redux Redux is how it blends multiple genres. It doesn’t feel like a straight sci-fi film, which was my initial expectation. There are elements of action, adventure, drama, thriller, crime, and even horror mixed in. If this were back in the Blockbuster days, I’d probably point you toward the thriller aisle. While it is technically sci-fi, it doesn’t feel futuristic – there are no robots or high-tech worlds. This is a multiverse story, not a time travel movie.
Overall, I’d definitely recommend Redux Redux. It’s one of those sleeper films you’ll be glad you stumbled across. It never made it to theaters and doesn’t feature big Hollywood names, but it’s a movie I’d happily watch again. If you happen to come across it while browsing, give it a shot – you’ll likely be pleasantly surprised.
Overall Verdict: Don't think of this as just another overplayed multiverse Marvel movie. It has more of a thriller/drama vibe which makes it feel very less sci-fi. For a lower-budget film, it's worth a watch for sure.
Releasing: February 27, 2026
Releasing: March 6, 2026
Releasing: March 6, 2026